To combat escalating water shortages, the Ice Stupa initiative in Ladakh is empowering local communities to become self-reliant and deeply involved in water stewardship. Allegria Films
Sustainability

Documentary review: 'Songs of the water spirits' and the changing water realities of Ladakh

'Songs of the water spirits' is a documentary feature that effectively positions Ladakh as a vital social, economic, and cultural laboratory from which the rest of the world, especially the globalised west, has much to learn.

Author : Amita Bhaduri

Songs of the Water Spirits (2020), directed by Nicolò Bongiorno, is an award-winning and visually striking and deeply reflective documentary that explores the fragile relationship between people, water, and the changing Himalayan landscape. Set in Ladakh, the film presents the region as a living laboratory where ancient traditions, ecological wisdom, and modern pressures collide. It reminds us that what happens in these remote mountains has lessons for the world, especially for societies struggling with environmental degradation and water insecurity.

The land of contradictions

Ladakh has long been known as a land of high mountains, Buddhist monasteries, and resilient communities who have survived for centuries in an extreme environment. The film shows how deeply the region’s identity is tied to its water sources, glaciers, springs, and streams that originate in the high Himalayas. These waters are not only essential for farming and daily survival; they hold spiritual significance and form the core of local cultural practices.

For millennia, the area, a crossroads of ancient cultures and religions, has been sustained by the spiritual veneration and careful management of its natural resources. Yet, today, the region faces a relentless process of transformation. Bongiorno shows the rapid oscillation between this "arcane and mystical" tradition and the consequences of "uncontrolled progress". 

The central crisis is dual: environmental and cultural. Climate change is visibly causing glaciers to melt rapidly, leading to catastrophic flash floods followed by crippling droughts—a brutal imbalance that threatens the very survival of local communities. Concurrently, burgeoning mass tourism and urbanisation introduce new forms of pollution and undermine cultural stability, causing a profound sense of alienation among the inhabitants.

The full documentary can be viewed here 

The documentary establishes its central conflict early on: the community’s identity is inextricably linked to the purity of its mountains and its water sources, yet these very elements are under threat. Rapid glacial melting due to climate change is leading to devastating floods and subsequent periods of extreme drought, upending traditional agricultural and spiritual practices. The film doesn't shy away from showing the resulting alienation and environmental degradation caused by unchecked urbanisation and pollution that are now reaching even these remote peaks.

Attribution and hope

Songs of the Water Spirits elevates itself by refusing to present a narrative of mere decline. Instead, the documentary focuses on the brave and visionary minds within Ladakh who are actively working to propose a "virtuous mediation". Their quest is for a "glocal" (global-local) way of living, aiming to preserve their identity and heritage while embracing modern incentives that do not necessitate a devastating cultural or environmental mutation.

These innovators seek to merge traditional wisdom with cutting-edge environmental research, positioning Ladakh not as a victim, but as a laboratory for sustainable solutions. The director’s approach subtly challenges the audience, asking: Can this model of cultural regeneration—rooted in valuing the natural world—inspire solutions for the resource-draining economies of the West?

Technical excellence and emotional resonance

Visually, the film is a triumph. The cinematography captures the stark, dramatic beauty of the Himalayan and Karakoram ranges, making the high desert landscape a silent, majestic character whose distress is palpable.

Adding immense depth is the official soundtrack, which won the Best Music Award at The Archaeology Channel International Film Festival. Composers Matteo Milani and Walter Marocchi created a score that is neither strictly traditional nor entirely modern. Instead, they shape ethnic inspirations through electronic inventions, crafting a musical texture that perfectly mirrors the film’s thematic contrasts: strength versus fragility, and the uneasy coexistence of science and religion. This sonic landscape enhances the immersive experience, ensuring the message of the film resonates long after the credits roll.

Songs of the Water Spirits is an important addition to environmental cinema. It speaks to global audiences, yet remains deeply rooted in the lived experiences of Ladakhis. The film makes a compelling case for why the future of mountain ecosystems, especially their water resources, deserves urgent attention. It also offers hope by showcasing the creativity and determination of people who are working to protect their homeland.

For anyone interested in climate change, Himalayan ecology, cultural resilience, or the future of water in high-altitude regions, this documentary is essential viewing.

SCROLL FOR NEXT